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Beeswing

Couple of live recordings off the sound desk for you;

As I mentioned in my previous post, Kev from Stage2 productions kindly recorded my second set at the Home-life Expo show, and handed me a disk at the end!
I have been having some trouble uploading it to this sites music player, as it is a hefty file....so here are two tracks from it,uploaded to youtube, audio only, and I'll put a link underneath in case you want to download the whole 40 minutes afterwards.
You're getting very much the dry signal off the desk....the sound of my pickups, without the room sound, but I think the sentiment comes across ok....let me know what you think?
 
So here's my song Sunsets in the West,
 
 
 
 
You need Flash Player in order to view this.
Sun sets, live at the Homelife Expo, Jersey (Audio only)
Live recording of my song, recorded (from the sounddesk) by Stage 2 Productions, Jersey, at the Homelife expo on 13th of November 2010.
 
......and here is a cover of "Hallelujah";
You need Flash Player in order to view this.
Hallelujah live recording.
Recorded at the Homelife expo, Jersey, 13th November 2010.Cover of Leonard Cohen song, I've heard a million versions and mine isn't the best of them, but I like the song alot and was asked for it th...
 
....and here is the link for most of the set,if it doesn't work anymore, as the site sometimes deletes older inactive files, let me know in comments and I'll reupload it for you.
 
 
 
Cheers all,
Rick
 

Richard Thompson,fame, and music....

Richard Thompson is my favourite guitarist, I may have said that before....
 
I'm not a fan of all the music he's put out, I think his songwriting though, has the unfortunate burden of having to live up to a few songs he's written that are simply unabashed modern classics.
I have marvelled at the depth of the writing in his song Beeswing (click that to hear the man himself playing it), not only for the lyrics,imagery and storytelling prowess of it, but also the rustic sound of the melody and arrangement....it kind of lends a timeless "trad" quality to the song, like you are hearing something ancestral, not a modern ballad with a story that begins in the 1970's, which it is.
 
He has written alot more incredible songs too, a quick look at his recently released songbook here , shows a massive three volume epic, and remember, this is only his more popular songs.....he has had an incredible output over the years, and if you go to his website Beesweb you'll find a content packed,informative and personal site, that is a world apart from record company controlled pop idols and their autonomous,cold info and "where to send your hard earned cash". He has several pages of Q&A with fans up there, and he has opined on his massive songwriting output on there, several times saying himself that he has created alot of songs that aren't quite the jems that have formed at other points in the process.
 
But all this is a digression from his guitar playing, I just wanted to mention his songwriting, because it adds another dimension to him than other virtuoso guitar types such as Tommy Emmanuel or Andy McKee...both of whom write nice melodies, but neither has a Beeswing or Vincent Black Lightning or the like in their back catalogue.
 
Legendary American music producer Joe Boyd said of him;
"He can imitate almost any style, and often does, but is instantly identifiable. In his playing you can hear the evocation of the Scottish piper's drone and the melody of the chanter as well as echoes of Barney Kessell's and James Burton's guitars and Jerry Lee Lewis's piano. But no blues clichés."
 
.....and it's hard to explain it any better than that really, but as a guitarist myself, and one who would aspire to Mr. Thompsons ability on the instrument myself, I can break it down somewhat and tell you what makes it for me.
 
He has a hybrid picking style, meaning he uses his fingers and a pick simultaneously... this in itself is not that unusual, a myriad of country players, and even I myself do this. But Richard has a seemingly separate brain for each part of his hand...he can run counterpoint melodies seemingly all over the instrument, with seamless musical results.
He uses open tunings alot, but the striking thing about his hybrid picking is the rythymic independence of each part...it's truly like two or more people playing together at times, which inspired me to attempt similar things in the first place.
 
He doesn't seem confined to scales, patterns or even genres in any one part of any piece of music.....other people do this and it sounds disjointed, but not RT, he pins it together by sheer virtue of it being Richard Thompson who's playing it.
 
And lastly, but to me one of the biggest things;
Much like another favourite guitar player of mine Jeff Lang (himself influenced admittedly by Richard), RT has had a decades long viable career in music, playing gigs all over the world and selling CDs and touching the lives of many, all without the fancy clothes, projected image and fame chasing marketing strategies that so many musicians feel they need to employ. It's all about the music.
 
If ever I had any hopes for my "career" in music, it would be that someone would oneday feel similarly about me.....a tall order, but worth trying to achieve,don't you think?
 
So click these links for some live youtube RT moments that I feel show some sides of the man himself;
 
The aforementioned Beeswing.
 
The stinging acid lyrics and jarring dark melody of Crawl back with incredible playing.
 
A band version of Crawl back with RT playing some incredible electric guitar.
 
A moving duet with his son Teddy on Persuasion.
 
The insanely technical, yet delivering it's story with real focus, '52 vincent black lightning.
 
A whacked out, crazy guitar solo with Fairport convention here.
 
RJ